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Continue reading →: Twelfth Night 12N4: Drunks and pirates and songs and schemesThe results of attending the Sept 6th rehearsal. #music #sounddesign #theater
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Continue reading →: Twelfth Night 12N3: Read through
Now we get serious. The first read through with the cast. Time to hear all those wonderful voices. #theater #music #sound #sounddesign
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Continue reading →: Watcha listening to?Here’s what I’m listening to. How about you? #podcasts #music
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Continue reading →: Twelfth Night 12N2: Up early
It’s that time – 3 months to go. My internal alarm is reminding me to get up early to work on this crazy project. #theater #music #sound #sounddesign
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Continue reading →: Twelfth Night: Music and sound design
The Mass Arts Center is doing a production of William Shakespeare‘s Twelfth Night this Fall – 9 performances Nov 5 – Nov 15. This will be my 100th production at the theater and my seventh (!) Shakespeare collaboration with my friend Steve Dooner, the director. I’ve been back and forth…
Bruce Webster
Sound in a small room
Bruce Webster’s atmospheric original score for “Romeo and Juliet” was a remarkable blend of tracked material and live instruments, underscoring scenes and transitions. This ambitious and successful effort, rarely attempted by most theaters, perfectly fit the director’s 1920’s concept. The music enhanced the emotional arc of each scene, adding a cinematic feel and unique fluidity without distracting from the dialogue.
EMACT / DASH Consultants Award speech – August 2024
Hello. I’m Bruce
Welcome to my little corner of the internet dedicated to sound design in a small theater.
Bruce Webster 